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One Little Goat Theatre Company
"Toronto's enterprising One Little Goat Theatre Company"〔(New York Times, 1 October 2010 )〕 is North America’s only theatre company devoted to modern and contemporary “poetic theatre.”〔("He, She and the Man make for a Seussian tale," Globe and Mail, 16 March 2009 )〕〔("Play about national security, civil rights raises questions," Canadian Jewish News, 8 Nov 2007 )〕 Founded by poet, playwright and director Adam Seelig in New York in 2002, and based in Toronto since 2005, the company is distinguished by its highly interpretive, provocative approach to international plays. The company takes its name from the ancient Aramaic folk song that traditionally concludes the Passover Seder.
== Poetic Theatre ==
Producing, developing, defining and redefining “poetic theatre” has been One Little Goat’s mandate since the company’s inception.〔(One Little Goat Theatre Company website )〕〔("Hysteria, Histrionics, Hypocrisy: The Theater of Thomas Bernhard Comes to New York City," Jonathan Taylor interviews Adam Seelig, ''Emdashes'', September 13, 2010. )〕 While the term is open to interpretation, One Little Goat’s Artistic Director, Adam Seelig, outlines key elements of the company’s aesthetic in an essay for the ''Capilano Review'' entitled “EMERGE''N''SEE: GET HEAD OUT OF ASS: ‘Charactor’ and Poetic Theatre”.〔(Capilano Review, “Poets Theatre” issue, Spring 2010 )〕 These elements include "charactor" (Seelig’s term for combining an actor’s onstage persona with their offstage nature), the "prism/gap" (between actor and audience), and ambiguity. The essay also traces the influences of Sophocles, Zeami, Luigi Pirandello, Bertolt Brecht, Samuel Beckett, Thomas Bernhard and others on One Little Goat’s dramatic approach.
“Poetic theatre attempts to find clarity through ambiguity. It’s not verse theatre or prose theatre or journalistic theatre. It’s theatre that treats the text as a score () and treats the gap between actor and audience not as an obstacle to bypass, but as a medium through which multiple meanings can emerge. There’s a difference between shining a light directly into the audience’s eyes, and having it pass through a prism.”〔(nytheatre interview with Adam Seelig )〕
One Little Goat’s “definition of ‘poetic theatre’ is a work in progress” and the company’s artistry is practical before it is theoretical: “doing the plays comes first; theory and definition follow.”〔(George Hunka interviews Adam Seelig )〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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